Category: cameras

How does the camera know (measure) what the distance is to the object?

Modern cameras use a variety of techniques to find the distance to objects. Some cameras bounce sound off of the objects and time how long it takes for the echo to return. Others observe the central portion of the image (presumably the object) from two vantage points simultaneous and then adjust the angles at which those two observations are made until the images overlap. This rangefinder technique is the one you use to sense distance with your eyes. You view the object through each eye and adjust the angles of view until the two images overlap (in your brain). At that point, you can tell how far away the object is by how crossed or uncrossed your eyes are. A rangefinder camera has two small viewing windows and lenses to look at the object, just as you have two eyes to look at the object. Finally, some cameras don’t really measure the distance to the object but instead adjust the lens until it forms the sharpest possible image. A sharp image has the highest possible contrast while an out-of-focus image will have relatively low contrast. The cameras adjust the lens until the light striking a sensor exhibits maximal contrast (brightest bright spots and darkest dark spots).

Is the eye similar to a camera?

Yes, your eye is exactly like a camera, except that the real image forms on your light sensitive retina rather than on a sheet of film. The lens bends light to a focus on the retina. If you are nearsighted and can only see nearby objects clearly, then your lens is too strong and bends light too much. Light from a distant object focuses before reaching your retina. If you are farsighted and can only see distant objects clearly, then your lens is too weak and bends light too little. Light from a nearby object doesn’t reach a focus by the time it strikes your retina. It would focus beyond your retina, if it could continue on through space.

Why are there various types of film (speed, purposes, etc.)?

The different speeds of film have to do with how light sensitive the film emulsion is. A portion of the surface of a high-speed film will register exposure to light when only a few particles of light (photons) reach it. In contrast, a low speed film requires more photons per square millimeter to undergo the chemical changes of exposure.

While high speed film can take pictures with less light than low speed film, there is a trade-off. High-speed films are grainier and have less resolution than low speed films. Thus photographs that you would like to enlarge should be taken with relatively slow film.

Why do camera flashes make eyes red and why do two flashes correct this problem?

The retinas of your eyes appear reddish when you look at them with white light. The red eye problem occurs because light from the flash passes through the lens of your eye, strikes the retina (which allows you to see the flash), and reflects back toward the camera. This reflection is mostly red light and it is directed very strongly back toward the camera. The camera captures this red reflection very effectively and so eyes appear red. The double flash is meant to get the irises of your eyes to contract (as they do whenever your eyes are exposed to bright light or you are startled or excited). The first flash causes your irises to contract so that less light from the second flash can pass into and out of your eyes. Unfortunately, this trick doesn’t work all that well.

Why do people in flash pictures have “red eye”? How do cameras try to solve that problem?

When light from the flash illuminates people’s eyes, that light focuses onto small spots on their retinas. Most of the light is absorbed, by a small amount of red light reflects. Because the lens focused light from the flash onto a particular spot on the retina, the returning light is focused directly back toward the flash. The camera records this returning red light and eyes appear bright red. To reduce the effect, some flashes emit an early pulse of light. People’s pupils shrink in response to this light and allow less light to go into and out of their eyes. Professional photographers often mount their flashes a foot or more from the lens so that the back-reflected red light that returns toward the flash misses the lens.

Why is film ruined when it is exposed to light?

Photographic film chemically records information about the light that it has absorbed. Normally, this light was projected on it by a lens and formed a clear, sharp pattern of the scene in front of the camera. However, if light strikes the film uniformly, the information recorded on the film will have nothing to do with an image. The entire sheet of film will record intense exposure to light and will have no structure on its chemical record.